Trax feat. Chris Walker, Donna Summer, The Kay-Gees, Dennis Ferrer feat. K.T. Brooks

There’s no place like love – Chris Walker (Hailing from Houston, Texas, bassistand vocalist Chris played with such luminaries as Ornette Coleman, Art Blakely to name a few – later he became musical director for Regina Belle … Chris then assigned with Pendulum Records where self produced his album ‘First Time’)

I feel love – Donna Summer (La-Donna Gaines settled in Germany after touring in “Hair” – the musical … there she met Italian Giorgio Moroder & his musical partner Englishman Pete Bellote where they recorded at Musicland Studios in Munich)

Ain’t no time – The Kay-Gees (Inspired by The JB’s, this self contained band was headed by Kevin Bell – who later became known as Amir Bayaan, an in demand producer … was assigned to “Gang” – a boutique of Delite Records)

How do I let go – Dennis Ferrer feat. K.T.Brooks (Released on King Street Sounds – a label which was after the street “Paradise Garage” iconic night club was located … written both by K.T. & Dennis but only produced by Dennis)

Trax feat. Grover Washington feat. Patti Labelle, Tasha Thomas, The Kay Gees, Debbie Malone

The best is yet to come  –  Grover Washington feat. Patti Labelle (Written by Dexter Wansel & Cynthia Biggs … Grover worked with a variety of “Prestige Recording Artists before going solo starting with Kudu/CTI  – whilst Patti was part of the trio ‘Labelle’)

Midnight Rendevous  –  Tasha Thomas (Former New York session vocalist Tasha also starred in Broadway show “The Wiz” – an African American adaptation of ‘The Wizard of Oz’ … trak from her only solo album before being struck down with cancer has recently been released on cd)

Waiting at the bus stop  –  The Kay-Gees (Headed by Kevin Bell & originally known as “New Dimension” before signing with elder brother’s Ronald label ‘Gang Records’ – named after “Kool & the Gang”, an imprint of “Delite”)

Rescue me  –  Debbie Malone (Co written & co-produced by Debbie with Scipio Sergeant … this track was released on U.K.’s Krunch Records and later re-released on Pulse-8 with new mixes)